With work held in collections at the National Library of Wales and CADW, Luned Rhys Parri is fast gaining recognition as one of Wales’ most celebrated and original artists.
Working from her studio in Groeslon, Gwynedd, her exciting works in mixed media and paper are in a league of their own.
Luned’s art quite literally steps out of the frame in a riotous burst of joy that feels at once both ‘of the moment’ and proudly nostalgic. Motion, playfulness and memory entwine to make for something fresh and fierce and undoubtedly Welsh.
A former pupil of the late Peter Prendergast, Luned’s bold works have never failed to receive a red dot during any of her previous shows at Oriel Plas Glyn y Weddw, and it’s easy to see how her celebrations of Wales and its people, both ordinary and extraordinary, are snapped up by collectors from within our borders and beyond.
There’s a richness and familiarity to her characters that inhabit a Wales that is perhaps no more; a chance to double-take and re-evaluate the overlooked beauty and humour in our elders, our furniture, our fashions, our crumbling buildings. Unapologetic everyday scenes are given new understanding, with the ability to make those who follow and love her work beam from ear to ear.
Although I had no specific theme in mind when I chose the exhibits, many of the pieces portray individuals who, for different reasons, have made a lasting impression on me. They include Gerald and Malo (nephew and niece, respectively, of Hedd Wyn); Luned Gonzales, who personifies Welsh Patagonia; and the ceramicist, Meri Wells.
Some of the other figures depicted are probably reminiscent of my mother and other people of her generation.
I hope my work will eventually speak to a wider audience than just the fortunate few of us who are still able to live and work in our country. Could this exhibition possibly remind exiles, as well as survivors, of our common history and the past struggles which have made us what we are today? Some people might learn a little about our way of life, as it is today and as it was in the recent past.
I hope to make people think about recycling. Not only the recycling of fabrics, scraps of newsprint, etc, but also the recycling of old ideas, fashions and assumptions which might still have interest and validity.
Above all, I hope to make viewers of my work smile occasionally.